Riassunto:
Perry and Lester invent things—seashell robots that
make toast, Boogie Woogie Elmo dolls that drive cars. They also
invent entirely new economic systems, like the “New
Work,” a New Deal for the technological era. Barefoot
bankers cross the nation, microinvesting in high-tech communal
mini-startups like Perry and Lester’s. Together, they
transform the country, and Andrea Fleeks, a
journo-turned-blogger, is there to document it. Then it slides into collapse. The New Work bust puts the
dot.combomb to shame. Perry and Lester build a network of
interactive rides in abandoned Wal-Marts across the land. As
their rides, which commemorate the New Work’s glory days,
gain in popularity, a rogue Disney executive grows jealous, and
convinces the police that Perry and Lester’s 3D printers
are being used to run off AK-47s. Hordes of goths descend on the shantytown built by the New
Workers, joining the cult. Lawsuits multiply as venture
capitalists take on a new investment strategy: backing
litigation against companies like Disney. Lester and
Perry’s friendship falls to pieces when Lester gets the
‘fatkins’ treatment, turning him into a sybaritic
gigolo. Then things get really interesting.